Lover of the Fancy

Early C20th American culture and dissent

Lucy Church Amiably
Gertrude Stein

£9.99

The first edition of this book was published by Imprimerie Union in Paris in 1930; it was published in the United States for the first time in 1969. It is often said that nothing much happens in this book! The result can be read as an account of being in the countryside, or more complexly, as an investigation into the interlocking nature of things and into the ways that language can be used for description. “Lucy Church Amiably” is finally, in Gertrude Stein’s own words, “A Novel of Romantic beauty and nature and which Looks Like an Engraving.”

Paperback, 240pp
Dalkey Archive Press, 2000 (1930)
ISBN 9781564782403

Biography

GERTRUDE STEIN (1874-1946) was an American novelist and poet. Born in Allegheny, Pennsylvania, Stein was raised in an upper-middle-class Jewish family alongside four siblings. After a brief move to Vienna and Paris, the Steins settled in Oakland, California in 1878, where Stein would spend her formative years. In 1892, following the loss of her mother and father, Stein moved with her sister to live with family in Baltimore, where she was exposed to salon culture. From 1893 to 1897 she attended Radcliffe College, studying psychology under William James. Conducting experiments on the phenomenon of normal motor automatism, Stein produced early examples of steam of consciousness or automatic writing, a hallmark of the Modernist style later practiced by Virginia Woolf, James Joyce, and William Faulkner. In 1897, she enrolled at Johns Hopkins School of Medicine on the recommendation of James, but ultimately left before completing her degree. She moved to Paris with her brother Leo, an artist, in 1903. In the French capital, the Steins gained a reputation as art collectors, purchasing works by Picasso, Matisse, Gauguin, Cézanne, and Renoir. At 27 rue de Fleurus, Stein hosted an influential salon for such artists and intellectuals as Ernest Hemingway, Ezra Pound, and F Scott Fitzgerald, who recognized her as a leading Modernist and central figure of the so-called Lost Generation. Her influential works include Three Lives (1909), Tender Buttons (1912), and The Autobiography of Alice B. Toklas (1933), all of which exemplify her control over vastly different styles of poetry and prose. Capable of producing experimental, hermetic works that draw attention to the constructed nature of language, Stein also excelled with straightforward narratives, essays, and biographical descriptions. From 1907 until her death, Stein and her life partner Alice B. Toklas gained a reputation as leaders in the international avant-garde, and remain essential to our understanding of the development of twentieth century art and culture.